Home  ›  Sleater Kinney All Hands on the Bad One Review

Sleater Kinney All Hands on the Bad One Review

Written By Tuesday, April 19, 2022 Add Comment Edit

2000 studio album by Sleater-Kinney

All Easily on the Bad I
Sleater-kinney all hands on the bad one.jpg
Studio album past

Sleater-Kinney
Released May 2, 2000
Recorded Dec 1999 – January 2000
Studio
  • Jackpot! in Portland, Oregon
  • John & Stu's Place in Seattle, Washington
Genre Punk rock
Length 37:07
Characterization Kill Rock Stars
Producer John Goodmanson
Sleater-Kinney chronology
The Hot Rock
(1999) 		All Hands on the Bad One
(2000) 		1 Beat
(2002)
Singles from All Easily on the Bad 1
  1. "You're No Rock n' Roll Fun"
    Released: May ii, 2000

All Hands on the Bad One is the fifth studio album by the American stone band Sleater-Kinney, released on May ii, 2000, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from Dec 1999 to January 2000 at Jackpot! Studio in Portland, Oregon and John & Stu's Place in Seattle, Washington. The music on the record ranges from softer melodies to fast punk rock guitar work, while the lyrics address issues such every bit women in stone, morality, eating disorders, feminism, music journalism, and media.

Upon release, All Hands on the Bad I reached number 177 on the US Billboard Acme 200 nautical chart and number 12 on the Heatseekers Albums chart. One song from the album, "You're No Rock due north' Roll Fun", was released equally a single. The album received very positive reviews from critics, who praised its consistency and the vocals by singer and guitarist Corin Tucker. All Hands on the Bad One appeared in several stop-of-year lists and received a nomination for Outstanding Music Anthology at the 12th Almanac Gay and Lesbian Alliance Against Defamation Awards.

Background and recording [edit]

All Hands on the Bad One is the follow-up to Sleater-Kinney's highly acclaimed fourth anthology The Hot Rock, released in 1999.[one] The Hot Rock marked a considerable change in the band's audio, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors.[two] It was likewise the first Sleater-Kinney album that entered the US Billboard Peak 200 chart, peaking at number 181.[3] Some fans, withal, dismissed the album, claiming that the band had sold out and that it was a commercial anthology.[4] This criticism was something that singer and guitarist Corin Tucker strongly disagreed with, claiming that The Hot Rock was their least commercial album due to its longer and intricate pieces.[4] According to Tucker, "we wanted to exist doing difficult work. We wanted to be expanding equally musicians and people didn't want that from u.s.. They wanted us to spring effectually and yell."[v]

After expanding their musical boundaries with The Hot Rock, the band decided not to worry nigh what their side by side album was going to sound similar.[half-dozen] Tucker explained, "It was so spontaneous [...] The songs but kept popping up one afterward another. We didn't really talk nigh anything. It just kind of happened."[6] She likewise said that they wanted to write songs that were "really straightforward but likewise a bit more mature in their structure and delivery than [their] earlier songs."[vii] All Hands on the Bad One is besides the first Sleater-Kinney album where drummer Janet Weiss provides backing vocals on some tracks. Tucker remarked that they initially wanted her to sing on The Hot Rock, but the thought was ultimately rejected due to the album's complex melodies.[vii] All Hands on the Bad 1 was produced by John Goodmanson, who previously produced the band's third studio album, Dig Me Out.[viii] The ring decided to work with him again considering, according to Weiss, Goodmanson "has the incredible power of capturing our live sound and heightening it, so we sound better".[viii] The album was recorded from December 1999 to January 2000 at Jackpot! Recording Studio in Portland, Oregon and John & Stu's Identify in Seattle, Washington.[9]

Music and lyrics [edit]

Similar to other Sleater-Kinney albums, the lyrics of All Hands on the Bad 1 feature personal, political, and social themes.[6] The start song, "The Ballad of the Ladyman", is a deliberate attempt to mock those who misunderstand the band.[iv] Tucker said that the vocal is "almost making fun of how people meet us, how people see what y'all're supposed to be when y'all're a woman in rock."[4] The song was inspired when the band was invited to the Bowlie Weekender music festival in England in 1999.[four] Tucker explained, "We were all staying in little chalets or whatsoever and we had our ain cabin and nosotros were cabin 216. Someone wrote this bulletin to u.s.a. that was like, 'Cabin 216 ladymen.' And we were like, 'What?' It was meant to exist a funny thing, but in this other way, it was really this naming of united states. It was a subtle way of saying, 'Oh, you're different because you're a woman band and because you're in some ways political.' It'south still seen equally threatening to people. Information technology's not like we had this weekend where nosotros merely relaxed with anybody and but hung out."[4] Kat Iudicello, writing for PopMatters, stated that the vocal "sports sweet harmonies, a slow anger and soft, low bitterness, and driving steady guitars and drums."[10]

The song "Male Model" targets the male role models for female rock bands, while "Pompeii" explores soul-searching themes such as one's losses and anxieties.[x] [11] "Youth Decay" was described by Iudicello as a song that "grapples with adult disbelief of the bug of youth and the manifestations of it in terms of eating disorders and silence."[x] It features fast punk rock guitar work.[10] The lyrics to "#1 Must-Have" reference images of the riot grrrl scene in the mainstream media.[12] It was written when Tucker was preparing for an interview most the discipline, held by the EMP Museum in Olympia, Washington.[12] The song also alludes to the misogyny that took place at the Woodstock '99 music festival, where several women were raped.[6] [13] Similarly, the song "Was It a Prevarication?" is a protest against how violence is used as entertainment in the media.[14] "The Professional" aims at music journalism and contains heavy drum work, while "Ironclad" features "fuzzed-out riffs and pounding fills".[15] Other songs such as "Leave You Behind" and "The Swimmer" feature soft melodies and harmonies.[x] "You lot're No Stone due north' Roll Fun" was described as "easy moving, beach punk rock music".[10] "Milkshake due north' Honey" was considered to be the ring's funkiest vocal.[10] Brent DiCrescenzo of Pitchfork commented that the song "spits wit at expatriates in Paris equally Corin rolls her eyes at the type of citizenry in The Sun Also Rises."[xvi]

The song "All Easily on the Bad I" features guitar riffs that are reminiscent of the band's second album, Call the Doctor.[ten] Information technology was chosen every bit the championship track because, according to guitarist Carrie Brownstein, it is the song that best represents the sentiment of the album.[17] Brownstein explained that the song deals with "your relationship to evil and your relationship to the hypocrisy of forcing a morality on someone else when you yourself are no meliorate."[17] She added, "'Ballad of the Ladyman', for instance—who is 'the ladyman'? Is the person that wants to be on the radio, 'the bad one,' or is it the fans assuming that they [the artist] desire to be on the radio—are they 'the bad i'? Or is 'The Professional,' the ominous professional figure, 'the bad one'? I think all these songs can go into that motorcar of 'the bad one' and that mentality and and then be spit out in a bunch of dissimilar scenarios. So that'south why I think information technology works every bit the championship."[17]

Release [edit]

All Easily on the Bad Ane was released on May 2, 2000, by the independent tape label Kill Rock Stars, which besides released the ring'southward previous two albums.[18] The anthology cover features a photo of Brownstein being hauled off a dance floor.[viii] According to Weiss, "She worked herself into a frenzy and passed out. People are laughing in the background considering she's wearing a bunny adjust."[8] All Hands on the Bad One reached number 177 on the US Billboard Top 200 nautical chart,[3] #12 on the Heatseekers Albums chart,[iii] and #5 on the KEXP Top xc.3 Album Chart for 2000.[xix] The band promoted the anthology with a tour across Northward America and England, featuring former and new songs.[twenty] The band besides did the prepare-upward and sold merchandise themselves.[21] Equally of Baronial 2002, the album has sold 73,000 copies in the U.S. co-ordinate to Nielsen SoundScan.[22] Every bit of February 2015, All Hands on the Bad One has sold 98,000 copies.[23]

The song "Yous're No Stone n' Coil Fun" was released as a unmarried on the same twenty-four hour period as the album, featuring an outtake, "Maraca", every bit the B-side.[18] [24] In the United Kingdom, the unmarried was released by Matador Records in both vinyl and compact disc formats. The compact disc version includes a third song, "What If I Was Correct", which is an outtake from the studio sessions for The Hot Rock that was previously released on Kill Rock Stars' Jackson's Jukebox compilation anthology.[24] A music video was made for "Y'all're No Rock due north' Whorl Fun" under the direction of Brett Vapnek,[25] who previously worked on music videos by Helium and Cat Power.[8]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 86/100[26]
Review scores
Source Rating
AllMusic [27]
Chicago Sun-Times [28]
The Guardian [29]
Melody Maker [xxx]
NME viii/10[31]
Pitchfork viii.3/10(2000) [16]
eight.five/10(2014) [32]
Q [33]
Rolling Rock [34]
Spin viii/10[35]
The Village Voice A−[36]

All Hands on the Bad Ane received very positive reviews from critics.[26] Pitchfork reviewer Brent DiCrescenzo described it equally the ring's most melodic, playful, sarcastic, and punchy album to date.[sixteen] Kat Iudicello, in her review for PopMatters, said that the album features "lovely harmonies, brilliant drum piece of work, great punk stone guitar riffs, and super-smart lyrics."[10] Petrograd Times writer Alan Rittner commented, "Sleater-Kinney'southward confidence and sense of liberty translate into the most relentless instrumental work of the band'southward career, with no loss in its peerless songcraft."[37] Some critics also praised the anthology'due south consistency.[15] [27] According to Joshua Klein of The A.V. Club, "what makes All Hands On The Bad One and so distinctive is Sleater-Kinney's dedication to craft every bit well as spontaneous passion: Song for song, this could be its all-time album."[15]

Further praise was given to Tucker's vocals. DiCrescenzo opined that "Corin reveals greater character depth than ever before" while Kitty Empire of NME commented that she "is Siouxsie on 'Youth Decay', a sassy Francophile lover on 'Milkshake northward' Love' and all West Coast beach infant on the immensely pretty 'Go out You Behind'."[xvi] [31] Steve Huey, writing for AllMusic, gave high marks to Tucker and Brownstein's guitar interplay also as Weiss' backing vocals, stating that the ring "makes full use of that extra musical instrument, packing the tracks with lilting 3-office harmonies."[27] The Southland Times notably praised the album's maturity and assertiveness, commenting that the band "has also created a more melodic sound and tunes are catchier and more accomplished with Tucker's vocals sounding more confident and tuneful than ever."[38] Klein pointed out that "Corin Tucker's Belinda Carlisle vibrato has never sounded amend [...], while Carrie Brownstein's straight counterpoint keeps the songs grounded in punk-stone fury."[15]

In a mixed review, Arion Berger of Rolling Stone magazine noted that Sleater-Kinney "have remade rock aggression as thinking-women's work and handled punk with finesse", merely also criticized the writing of some tracks for being "awfully self-conscious for a fifth album."[34] The Village Voice reviewer Howard Hampton compared the anthology'due south music favorably to The Go-Go's' Beauty and the Shell, even though he remarked that instead of "[settling] for The Go-Go'south demure ministrations", All Hands on the Bad Ane "ways to work the whole loving fist all the mode up your tight picayune mind."[fourteen] In a very favorable review, Garry Mulholland of The Guardian concluded that the album "explains exactly why ane US mag chosen [Sleater-Kinney] the best rock'north'ringlet ring in America."[29]

All Hands on the Bad 1 appeared in several end-of-year lists. Pitchfork placed the record at number sixteen in its list of "Top 20 Albums of 2000", commenting "Sleater-Kinney chanced losing some riot [grrrl] cred in favor of writing songs that cover a more diverse spectrum of emotions and themes, and came up their well-nigh compelling and political record to date".[39] Toronto Star rated information technology the eighth all-time album of the twelvemonth,[xl] Edmonton Journal named it one of the all-time album of the twelvemonth,[41] and The Hamlet Vocalisation placed information technology #x in its 2000 Pazz & Jop Critics' Poll.[42] All Hands on the Bad I also received a nomination for Outstanding Music Album at the twelfth Annual Gay and Lesbian Alliance Against Defamation Awards, just lost to k.d. lang's Invincible Summer.[43] [44]

Track listing [edit]

All music is composed by Sleater-Kinney.

No. Title Length
i. "The Carol of a Ladyman" 3:xi
2. "Ironclad" 2:34
iii. "All Hands on the Bad One" ii:57
4. "Youth Decay" ii:30
v. "You're No Rock n' Ringlet Fun" 2:38
6. "#one Must Have" 3:04
7. "The Professional" 1:31
8. "Was It a Lie?" three:16
9. "Male Model" 2:33
10. "Leave Yous Behind" three:27
11. "Milkshake due north' Love" ii:55
12. "Pompeii" 2:43
13. "The Swimmer" 3:46
Total length: 37:07

Personnel [edit]

Credits are adapted from the album'south liner notes.[nine]

References [edit]

  1. ^ "Sleater-Kinney Biography". Rolling Stone. Archived from the original on June 17, 2013. Retrieved June 17, 2013.
  2. ^ Sheffield, Rob (February 9, 1999). "The Hot Rock". Rolling Stone. Archived from the original on October 23, 2007. Retrieved October 23, 2007.
  3. ^ a b c "Sleater-Kinney – Awards". AllMusic. Archived from the original on September 22, 2012. Retrieved June 17, 2013.
  4. ^ a b c d east f Goldberg, Michael (December 28, 2000). "Render Of Riot Grrrl Rock: The Sleater-Kinney Interview (Folio 1)". Addicted to Racket. Archived from the original on February 26, 2002. Retrieved February 26, 2002.
  5. ^ Goldberg, Michael (December 28, 2000). "Return Of Anarchism Grrrl Rock: The Sleater-Kinney Interview (Folio 5)". Addicted to Dissonance. Archived from the original on Baronial 28, 2001. Retrieved November 21, 2001.
  6. ^ a b c d Goldberg, Michael (December 28, 2000). "Return Of Riot Grrrl Rock: The Sleater-Kinney Interview (Page two)". Addicted to Noise. Archived from the original on November 21, 2001. Retrieved November 21, 2001.
  7. ^ a b Jenkins, Mark (September 22, 2000). "Sleater-Kinney's Rock 'due north' Roll Fun". The Washington Postal service. p. N15. Archived from the original on February 18, 2012. Retrieved July five, 2013.
  8. ^ a b c d eastward "Sleater-Kinney: All Easily on the Bad 1". The Washington Post. May ii, 2000. Archived from the original on June twenty, 2014. Retrieved July xix, 2013.
  9. ^ a b Sleater-Kinney (2000). All Hands on the Bad 1 (CD booklet). Olympia, Washington: Kill Stone Stars. KRS #360.
  10. ^ a b c d e f g h i Iudicello, Kat. "Sleater-Kinney: All Hands on the Bad One". PopMatters. Archived from the original on April 16, 2010. Retrieved June 15, 2013.
  11. ^ Nichols, Natalie (May 2000). "Fight For Your Right To Parity: Sleater-Kinney Riffs On Rape, Stone And The Beastie Boys". CMJ New Music Monthly. No. 81. pp. 42–44. Retrieved June 10, 2018.
  12. ^ a b Goldberg, Michael (December 28, 2000). "Return Of Riot Grrrl Rock: The Sleater-Kinney Interview (Page 3)". Addicted to Noise. Archived from the original on November 21, 2001. Retrieved November 21, 2001.
  13. ^ Guarino, Mark (May 5, 2000). "Sleater-Kinney raise the stakes on 'All Hands'". Chicago Daily Herald. p. 10.
  14. ^ a b Hampton, Howard (May two, 2000). "Mucilaginous Little Fingers". The Hamlet Voice. Archived from the original on September 27, 2012. Retrieved June 12, 2013.
  15. ^ a b c d Klein, Joshua (May 2, 2000). "All Hands On The Bad One". The A.Five. Club. Archived from the original on May 27, 2013. Retrieved June 12, 2013.
  16. ^ a b c d DiCrescenzo, Brent (April 30, 2000). "Sleater-Kinney: All Hands on the Bad One". Pitchfork. Archived from the original on February 4, 2021. Retrieved June 12, 2013.
  17. ^ a b c Goldberg, Michael (Dec 28, 2000). "Return Of Anarchism Grrrl Stone: The Sleater-Kinney Interview (Folio 4)". Addicted to Racket. Archived from the original on November 21, 2001. Retrieved Nov 21, 2001.
  18. ^ a b "Sleater-Kinney". Kill Stone Stars. Archived from the original on August 26, 2013. Retrieved May 5, 2013.
  19. ^ "The KEXP Top xc.3 Anthology Chart for 2000". KEXP-FM. Archived from the original on Jan 17, 2013. Retrieved August 21, 2013.
  20. ^ "Anarchy in the USA". The Guardian. July 7, 2000. Archived from the original on July seven, 2013. Retrieved July 7, 2013.
  21. ^ Everett-Green, Robert (September 22, 2000). "The price of smarts". The World and Mail. p. R5.
  22. ^ Martens, Todd (August 5, 2002). "Sleater-Kinney Unleashes The 'Vanquish'". Billboard. Archived from the original on July 4, 2013. Retrieved July 4, 2013.
  23. ^ "Unfinished Business concern". NPR. Feb three, 2015. Archived from the original on July 27, 2015. Retrieved August 24, 2015.
  24. ^ a b Draper, Jimmy. "Y'all're No Rock 'n Roll Fun – Sleater-Kinney". AllMusic. Archived from the original on June 29, 2014. Retrieved June 17, 2013.
  25. ^ "Sleater-Kinney - You lot're No Stone Due north Roll Fun". MTV. May 2, 2000. Archived from the original on Nov half-dozen, 2012. Retrieved June 15, 2013.
  26. ^ a b "All Easily On The Bad One by Sleater-Kinney Reviews and Tracks". Metacritic. Archived from the original on March 22, 2020. Retrieved September 11, 2021.
  27. ^ a b c Huey, Steve. "All Hands on the Bad 1 – Sleater-Kinney". AllMusic. Archived from the original on January 29, 2021. Retrieved June 12, 2013.
  28. ^ Williams, Kevin Thou. (Apr 30, 2000). "Sleater-Kinney, 'All Hands on the Bad 1' (Impale Rock Stars)". Chicago Sun-Times. Archived from the original on June 12, 2018. Retrieved May 5, 2013.
  29. ^ a b Mulholland, Garry (May 5, 2000). "Speeches and cream". The Guardian. p. 17.
  30. ^ True, Everett (May 10–sixteen, 2000). "Sleater-Kinney: All Hands on the Bad Ane". Melody Maker. p. 47.
  31. ^ a b Empire, Kitty (May 12, 2000). "Sleater-Kinney – All Hands On The Bad Ane". NME. Archived from the original on September 18, 2000. Retrieved June 12, 2013.
  32. ^ Pelly, Jenn (October 24, 2014). "Sleater-Kinney: Showtime Together". Pitchfork. Archived from the original on October 28, 2020. Retrieved Oct 24, 2014.
  33. ^ "Sleater-Kinney: All Easily on the Bad One". Q. No. 165. June 2000. p. 115.
  34. ^ a b Berger, Arion (June 8, 2000). "Sleater-Kinney: All Hands On The Bad One". Rolling Rock. Archived from the original on October 23, 2007. Retrieved October 23, 2007.
  35. ^ Weisbard, Eric (June 2000). "Sleater-Kinney: All Hands on the Bad One". Spin. Vol. 16, no. six. p. 149. Retrieved September four, 2013.
  36. ^ Christgau, Robert (May 30, 2000). "Consumer Guide". The Village Vox. Archived from the original on August fifteen, 2013. Retrieved Apr 5, 2013.
  37. ^ Rittner, Alan (May 26, 2000). "Sleater-Kinney, All Hands on the Bad One". St. Petersburg Times. p. 18W. Archived from the original on June xxx, 2007. Retrieved August 6, 2013.
  38. ^ "They may exist older simply the passion remains". The Southland Times. Feb nine, 2001. p. ix.
  39. ^ "Top 20 Albums of 2000". Pitchfork. January 1, 2001. Archived from the original on June 1, 2013. Retrieved June 20, 2013.
  40. ^ Wagner, Vit (Dec 26, 2000). "Year'due south Best Expressions Of Americana Were British". Toronto Star.
  41. ^ Sperounes, Sandra (December 30, 2000). "The Twelvemonth in Music: Tomboy punk of Sleater-Kinney amidst the year's all-time; Billy Corgan incomparably not". Edmonton Journal. p. C1.
  42. ^ "The 2000 Pazz & Jop Critics Poll". The Village Voice. February xx, 2001. Archived from the original on August 13, 2013. Retrieved Baronial 15, 2013.
  43. ^ "GLAAD Announces Nominees For twelfth Annual Media Awards Presented By Absolut Vodka". GLAAD. January xvi, 2001. Archived from the original on April 9, 2001. Retrieved Apr 9, 2001.
  44. ^ "GLAAD Honors Paris Barclay, Volition & Grace, Queer as Folk, m.d. lang, Los Angeles Times At 12th Annual Media Awards Presented By Absolut Vodka In Los Angeles". GLAAD. Apr 29, 2001. Archived from the original on June iv, 2001. Retrieved June 4, 2001.

External links [edit]

  • All Hands on the Bad One at Discogs (list of releases)

lopezconat1963.blogspot.com

Source: https://en.wikipedia.org/wiki/All_Hands_on_the_Bad_One

0 Response to "Sleater Kinney All Hands on the Bad One Review"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel